Monday

In Aid of Dyslexia

This April, I am taking on the massive challenge of running the Virgin London Marathon in aid of Dyslexia Action.   I have never taken on anything quite as mammoth as this before but when Dyslexia Action asked me if I would run for them I found it impossible to say no, given how the cause is so very dear to my heart.  I wonder if you could take five minutes out of your day to quickly read the reasons why I decided to say yes.   Fundraising is never easy but with the internet and the amazing Just Giving pages you can set up now-a-days it’s becoming easier.  
Any donation would be hugely appreciated.
Firstly let me tell you a little bit about Dyslexia Action and the reason why I wholeheartedly support what they do.  Dyslexia Action is the biggest dyslexia charity in the UK and they provide a wide range of services to people of all ages who have dyslexia and struggle with literacy.  There is somewhere between four and five percent of the population who live with dyslexia and it is estimated that there are about 375,000 pupils in the UK with dyslexia and a total of some two million people who are severely affected.

When I was at school, in the later years of juniors, I became aware that I was slightly different from the other children.  I had a real sense of being an outsider.  I had difficulty with math’s concepts, problems understanding the rules of grammar and mastering spelling was hopeless.  I reversed letters and numbers and took much longer to think and respond to questions.  I was a very slow reader back then and the thought of having to read aloud in class petrified me.  I spent most days daydreaming at the back of the room, doodling and drawing.  Unlike our education system today, my silence in class did not arouse suspicion in the teacher that something was amiss.  However, she found my lack of concentration and progression galling to the point where every morning I was called to the front of the class and told to repeat ‘Claire is stupid’ to my fellow classmates, a humiliation that has haunted me for a lifetime.  Justifiably I had massive problems with my self-esteem and a great sense of underachievement and after time, I really did indeed believe I was ‘stupid’.  This manner went on for some months and it wasn’t until my mother turned up at class one day and witnessed what I was forced to do that my life turned around.  I never knew why my mother turned up that day, maybe I had a dentist appointment or maybe it was a mother’s intuition that something wasn’t right.  Whichever it was, my parents whipped me from that school so fast my feet didn’t touch the ground. 

I was lucky… but I was also, by then, accustomed to disguising myself and my learning differences, which is typical.  It is exhausting being insecure, back then my only pleasure was role-playing, singing, dancing and being someone else. I had always dreamed of being a writer, but no one could understand a word I wrote. So what was the point in striving for something that could never happen?   I wasn’t aware of how dyslexia assessments on children worked, but my mother being a teacher herself, knew something was not right and she had me tested and it was confirmed… I was dyslexic. 

Some people with dyslexia are able to disguise their weaknesses, compensating and often do acceptably well or better - but there comes a time in higher education when a threshold is encountered, where they are no longer able to compensate for their learning differences.  I’m reluctant to use the word ‘weakness’ because although back then it felt like a weakness I’ve later learnt it most certainly isn’t.  Dyslexic people simply learn differently, we are active and visual thinkers, who learn best by hands on rather than lecturing.  Along with the endless list of things dyslexic people struggle to do, dyslexia is not an intellectual disability; we have many natural strengths that could even be construed as unique traits.  Yes we get bored easily; we’re inattentive and seek stimulation, preferring unstructured situations with lots of freedom.  But we are aware of everything; we are highly perceptive and intuitive.  We are curious risk-takers, capable of doing multiple things at the same time.  As I’ve already said we’re highly creative and artistic with vivid imaginations.  We have drive and ambition – we think in pictures instead of words and are capable of seeing things differently from others – outside the box if you like.

I know exactly what if feels like to be told, ‘You’re different.  You have to go to a special school.’ It broke my heart, I was embarrassed, ashamed and I never believed in a billion years I would stand and tell assemblies of teenagers about it, write blogs about it or even run a marathon in aid of helping people who live with it.  My confidence has come a long way and I will do everything in my power to help and encourage others with dyslexia.
I spent my final two years of junior school under the wing of a phenomenal teacher, who gradually drew out the creativity in me and gave me back my confidence.   Now my coping strategies are in place I almost feel I have ruled out my dyslexia.  I am still a slow reader and I occasionally have to re-read sentences to make sense out of them but I love, and always have done, the art of storytelling, whether it’s through music, film, theatre or books. You can carry away so much from a good book and live several lives whilst reading it, as I hope the readers of my debut novel DEAD GAME will.  Yes, I have written a book and I have three beautiful children to teach and inspire.  Literacy is so important, it is a great way of communicating and a socially acceptable way of expressing yourself, it is an essential tool that every person should possess.

I was so afraid of being judged when I was younger but now I just think; surely if life had wanted me to think ‘by the book’ I would have been made otherwise. The bullying I experienced at school has made me far more determined to help others living with dyslexia and help them to be who they are and not shy away or be demoralised.  Remember two or three children in every classroom struggle to learn to read and write. Many will progress well with good phonics (sound based) teaching but for those with more severe needs it is essential that they have access to specialist teaching. Currently many of these children do not get the help they need due to lack of trained specialist staff and their difficulties can go unnoticed or unexplained.  Without the correct identification and support dyslexia can be a barrier to learning and can lead to failure at school, exclusion or anti-social behavior. For many children who struggle to learn, their behavior and confidence can be badly affected.  If you can’t learn to read, you can’t read to learn!

By sponsoring me to run the Virgin London Marathon and donating to Dyslexia Action you will be helping so many people, children and adults, who live with dyslexia, they will receive assessments or screening tests, free face to face advice from experts and tuition and support through individual teaching programmes.

We need to change the face of how dyslexia is viewed and how it is remedied. I endeavor now to take away any shame behind the word dyslexia and swap it for pride.

Donating through JustGiving is simple, fast and totally secure. Your details are safe with JustGiving – they’ll never sell them on or send unwanted emails. Once you donate, they’ll send your money directly to the charity and make sure Gift Aid is reclaimed on every eligible donation by a UK taxpayer. So it’s the most efficient way to donate - I raise more, whilst saving time and cutting costs for the charity.

Even if you can only donate £1 – every little helps.  Thank you so SO much.

Link to give.
With all my love,
Claire

PS If you would like a really good laugh – take a look at what the Marathon News is saying about me!





Wednesday

Short Story Workshops

NWUK member Fiona Linday is delivering a series of 10 short story workshops at Embrace Arts, Leicester, taking place after Easter at Leicester University’s Arts Centre.

These workshops, called Every Word Counts, will be on Wednesdays at 10.20am-12.30pm, starting on May the 2nd and running until July the 11th
Note: No session on the 23rd of May.


Learn how to write your own great short story, using writing toolkits to practise exercises, and improve your craft.

The course is open to all.

Friday

BUXTON POETRY COMPETITION 2012

Buxton Poetry Competition 2012 is Now Open! 
Closing date: 6th April 2012
Download an entry pack from here.   
or call 01298 70395

NONSENSE POETRY & FLASH FICTION COMPETITION

A copy of the entry form and handy hints sheet can be downloaded from here. 
Closing Date:  1st April 2012

LITERATURE WALES LAUNCHES THE 2012 INTERNATIONAL POETRY COMPETITION

The 2012 competition is now open. Entries will be judged by poets Sinéad Morrissey, Patrick McGuinness and filter judge Samantha Wynne-Rhydderch.
Visit their website for further details. 
Closing date: 2nd March 2012

MSLEXIA 2012 WOMEN'S SHORT STORY COMPETITION

Mslexia 2012 Women’s Short Story Competition is for previously unpublished stories of up to 2,200 words by women writers.
Judged by Tessa Hadley
1st Prize: £2,000 plus a week’s writing retreat at Chawton House Library* and a day with a Virago editor**
2nd Prize: £500 3rd Prize: £250
Three other finalists win £100 each.
All winning stories will be published in issue 54 of Mslexia, published in June 2012.
CLOSING DATE: 19 March 2012
Entry fee: £10 per story. Professional critiquing service £45 per story (www.mslexia.co.uk/critiquing).
 
The CHL retreat is accommodation only, dates to be agreed between CHL and the competition winner. ** The day with a Virago editor must be taken at a time that is suitable to both Virago and the competition winner.The winner is responsible for any other expenses involved with attending the CHL retreat and the day with a Virago editor, i.e travel, food, etc. The prizes are optional additions to the £2,000 first prize. The prizes must be taken by 31 May 2013.
Contact 0191 233 3860
Email   shortstory@mslexia.co.uk

THE NOTTINGHAM SHORT STORY COMPETITION 2012

£1000 first prize Open to UK & International entries up to 2500 words £10 entry fee
Details
THE NOTTINGHAM SHORT STORY COMPETITION 2012
£1000 First Prize plus publication in Anthology for all winners and fifteen
runners-up
Open to UK and International entries
Up to 2500 words £10 entry fee
Closing date: 30th April 2012
Contact: 0115 912 0494
or
admin@primewritingacademy.com

POP A POEM ON A POSTCARD POETRY COMPETITION

Pop a poem on a Postcard poetry competition
Deadline – July 31st 2012
PRIZES:- 1st £100 2nd £50 3rd £25 (All 3 prizewinners will have 10 postcards with their winning poem printed on them)
Entry fee – £3 per poem
Email – thynkspublications@yahoo.co.uk

BBC INTERNATIONAL SHORT STORY AWARD 2012

Deadline: Mon 27 Feb 2012
To mark the 2012 Olympics, for one year only, the Award becomes the BBC International Short Story Award.
Booktrust and the BBC’s annual showcase of outstanding short fiction launches today with an expanded worldwide quest to find the best international short story of 2012 to mark the Olympic year. The judging panel for the one-off BBC International Short Story Award will be chaired by broadcaster and comedy writer Clive Anderson and the winner announced on BBC Radio 4’s Front Row.
For the first time since it launched in 2006, the BBC Short Story Award will see stories from home and abroad going head-to-head for the £15,000 cheque for first place. For one year only authors from across the globe will be eligible to enter alongside UK practitioners.
To reflect the global breadth of the Award in 2012 the shortlist will comprise ten short stories rather than the usual five. Each of the ten shortlisted stories will be broadcast on BBC Radio 4 over two weeks, showcasing the scope and diversity of the form in the run-up to the winner announcement.
The shortlist will be announced live on BBC Radio 4’s Front Row, and the ten shortlisted entries broadcast during the following two weeks. The winner and runner-up will then be revealed at a special event which will also go out live on Front Row. The shortlisted stories will be published in a special anthology and be available for free audio download. Scottish Book Trust will be running four in-depth short story workshops in Edinburgh during the festival season to run alongside the Award.
The Award – one of the most prestigious for a single short story, with the winning author receiving £15,000 – is now open for submissions from publishers, agents and authors from anywhere in the world who have been published in the UK.

THE INTERNATIONAL RUBERY BOOK AWARD

There are three cash prizes & the winning book will be read by a top London Literary Agent
First prize is £800.
They are now accepting submissions. The closing date is 31st March 2012.
All independently published and self published books are eligible. All genres welcome.
There are four high profile judges: Alan Mahar, publishing director; poet/novelist Jeff Phelps; children’s authors Simon Cheshire; and Pauline Morgan, well respected critic and writer.
Entries must be postmarked no later than 31st March 2012. The entry form can be downloaded from their website.
The entry fee is £35 (other currencies are accepted on their website).
About Rubery Book Award:
It is increasingly difficult to get the publishing world to take notice of independently published books and self publishers. Book awards tend to be geared towards big publishing houses where large sums of money are expected once a book is shortlisted. The International Rubery Book Award is creating an opportunity for independent publishers and self published books by rewarding them for their quality. Once established we believe that RBA will gain recognition for finding quality books published in this way. This would mean winners, past and present, can proudly announce that they are award-winning authors of our prize and be confident that this title will be respected.
They will also be running a short story competition for unpublished short stories in 2012.


EREWASH WRITERS’ GROUP OPEN SHORT STORY COMPETITION 2012

Closing date: Midnight (GMT) Wednesday 27th June 2012.

Prizes: First £60, Second £30, Third £15,
and a donation to a UK charity or voluntary group.

Entry fee: £3.00 for one entry or £5.00 for two. £2.50 for each additional entry.

The competition is open to all ages. Submissions may be up to 1,500 words. Winning entrants will receive the cash prizes and can choose to have their work published on the website. With every entry there is the choice to nominate a UK charity or voluntary group for a donation, currently at £25 and likely to increase provided we have a good response in entries.

Entries may be submitted by email, or by post. Payment to be posted. For full details please visit their website

If you would like a copy of the terms and conditions, and entry form, or if you have any questions about the competition, please contact Debbie at erewashwriterscomps@hotmail.co.uk

Thursday

Avalon Graphics send Holiday Cheer

Wishing everyone at NWUK Bright Blessings in the New Year!

May you have the spirit of Christmas which is peace, the gladness of Christmas which is hope and the heart of Christmas which is love.

 In celebration of the holidays and in reflection back on a splendid 2011 - I've created this video presentation that I wish to share with all of you:

Thank you to all of you for making 2011 a banner year for me. And I look forward to our continued creative collaborations in the new year.
All the best!
Cathy Helms
Graphic Designer ~ Avalon Graphics


High Resolution video: www.youtube.com/watch?v=A4P0R9rOkpg
Low Resolution for slower connections: www.youtube.com/watch?v=HheF44S6D84

Monday

Michael J Smedley reviews Narrow Marsh

‘NARROW MARSH’
by A.R. Dance

History is not my strongest subject.  Trying to remember all those dates never worked for me.  1066 and 1812 are the only memorable dates that stick in my mind: the latter one because of the music rather than for events that took place.  I am not the only one who struggles with history.  Didn’t Henry Ford remark, ‘History is bunk!’  It is probable that his words fell on more than a few sympathetic ears.  But historical novels are a totally different matter and it is fair to say I probably learnt more about past events from reading about them in a novel than I ever learnt in the history lessons I sat through at school.

Historical novels put flesh on the bones, bring the participants to life and explain the reasons why certain events took place.  And it is all down to the skilful research of the historical novelist.  I have learned about Boadicea, the warrior queen of the Iceni and her struggles against the Romans from the novels of Manda Scott.  Facts about the Peninsula War from Bernard Cornwell’s books and the power struggles in ancient Rome from the writings of Robert Harris.

Now ‘Narrow Marsh’ by A R Dance brings alive to me past events much nearer to home.  If you live in or around Nottingham then you will certainly have heard of Broad Marsh.  But how many people remember Narrow Marsh, or even know that such a place existed?  I didn’t until I read Mr Dance’s excellent book.  His narrative is fictitious but his settings of the early 19th century, his descriptions of the city as it then was and the dramatic events he brings vividly to life are true to type.  It is a fascinating book to read and carries the reader back to a time of fear, poverty and the unbelievable hardships suffered by working people.  There were times when I thought the author might have dramatised the action a little more, but then I thought, no, that wouldn’t work.  It is because he does not over-sensationalise events that they come across as genuine and believable.  That is not to say the story lacks excitement, it does and in its final chapters the author cleverly builds the tension to a climatic finish.  You must not miss it.  But wait!  There is also a sequel which promises to be every bit as exciting … and I for one can’t wait to get hold of a copy of ‘Leen Times’.
                            
Michael J Smedley

Andrew Dobell's Extraordinary Art

NWUK member Andrew Dobell is able to do photography, Art, or Photo-Art commissions for book covers and he can accommodate most budgets.

Andrew says: "Any interested writers need only contact me through art@andrewdobell.co.uk and we'll see what we can arrange. I love combining Photography with Art to create images that are a little different from the norm and are very usable on book covers."


Illustration
Photography
Email


Gang Loyalty - Free ebook

For the next five days (Dec 12th – 16th) "Gang Loyalty" by Peter St. John is free in digital format from Amazon Kindle.

There is consternation in Widdlington village when the girls, fed up with constantly playing second fiddle to the boys, decide to set up their own gang. The new gang is called the "Go-Getter Girls".
Its leader believes that anything boys can do, girls can do better.
The boys, alarmed at this threat to their formerly secure superiority, do not intend to stand idly by while the girls usurp their traditional supremacy.
Will the girls succeed in imposing a new-found authority, or can the boys overcome this impudent challenge to their masculinity?
The gauntlet is flung down by the girls in the wartime summer of 1941. Britain is facing an epic challenge launched by those who sought to impose a repressive regime aimed at world domination. The two challenges are not entirely unrelated.
We know now the outcome of the Second World War, but what was the result of the contemporaneous conflict of loyalties that went on in Widdlington?


(USA) Kindle USA 

(UK) Kindle UK 


Below is a sample from Chapter 16:
 


Just before the bridge was a cattle gate. It was closed. At the very last moment we both broadsided to a stop. But there wasn't enough room. The carts touched. Locked one to the other, they slid off the path and overturned. Thrown off, Jenno and I rolled together down the grassy slope to the edge of the river.

 ‘You all right?’ I asked breathlessly. I could feel Jenno laughing. ‘What're you laughing at?’

‘Oi won,’ panted Jenno.

‘You cheated. You didn't give me a fair start.’

Jenno rolled over and knelt astride my stomach. She grinned down into my face.

‘But Oi won. Oi told yew moi cart, Emmeline P, was good.’

I grinned back. ‘You cheated.’

‘Oi did wot?’

‘You cheated.’

Jenno pummelled my shoulders.

‘Emmeline P's good— an' so am Oi.’

‘You're a cheat.’

Jenno pummelled some more. I caught her by the wrists.

‘Wot is Emmeline P?’

‘Emmeline P is good.’

‘That's better. Wot am Oi?’

‘A cheat.’

Jenno twisted her wrists free and pummelled me some more.

‘Wot am Oi?’

‘You're pretty good too— but you're still a cheat.’

I caught her wrists again and we rolled over, wrestling in the grass.
Suddenly, as I tried to pin Jenno's shoulders down, I caught sight of somebody on the bridge. There were two people. They each had a cart. It was Winnifred and Molly!

Jenno must have sensed something was wrong. She stopped wrestling, and sat up. I sat up too.

‘Come on, Molly,’ said Winnifred. ‘There's too much of a rough crowd here.’

She and Molly turned and stalked off the bridge. They went back up in the direction of the Manor Lodge at the top end of The Street.

I thought of calling after them to explain, but I knew it wouldn't have been any use. I watched them go. My exhilaration slid out of my boots, slipped into the river, and sank like springtime out of sight. It was replaced by darkest gloom and doom.

‘Cripes,’ said Jenno.

‘Cripes is right,’ I said.



Saturday

Baker gets the Hollywood treatment.

Sometimes an author wants to let off steam, to tell the world about an unsatisfactory experience.
Over to you, Philip Baker:


'Not Quite A Judas is a compelling, well-researched, and well-told story about two friends growing up on opposite sides in World War II. It begins with the two boys' childhood – one growing up in England, the other in Hitler's Germany, with frequent visits between them – then moves forward to detail their actions in the war, where they eventually come in direct conflict with each other.'
Quote from a 'Hollywood Treatment ' by Ryan Graff, Professional Film Script-writer, U.S.A.

'The book goes into great detail portraying their various activities as youths, and their various missions as adults.  In print, this works perfectly, as it adds an extra layer of depth and authenticity.  That said, film audiences have come to expect  etc: etc: '  

'In short, Not Quite A Judas is a powerful story about a friendship strong enough to survive the world's most terrible war ….  '
…......................................................................................


[It may appear – after that – that I'm about to bite the hand that fed me … but make up your own mind about that. ]

I read the following to my Writer's group:-
Authorhouse U.S.A.  published – at my expense – my first novel, NOT QUITE  A  JUDAS. They then suggested that their Professional Film Scriptwriter should prepare a 'Hollywood Treatment' from it.  This to be made available to the major Film Studios, who are always on the lookout for new storyline material.  Needless to say this 'Treatment' did not come cheap, and I now very much regret having agreed that it should be done. 

The result was 14 pages, starting with a nice – even complimentary – outline of my work.  [As above.] This was followed with many totally inappropriate additions, some of which I can only describe as Horror Comic material.  For example, my single German bomber is pursued by a single Spitfire, which fires a single burst with its machine guns, and both then disappear into the distance – having served their purpose in my story.  This is re-written as – and I quote … A nightmare of carnage roars above them. Propellers, engines, and wings – wings bearing the emblems of both their countries – comes (sic) screaming down in flames and twisted steel. (sic) 

Both my principal characters – protagonists if you will – are undergoing Officer Training.    However, in the 'Treatment', Erich, the German, is seen to be doing this, But – on the very same page – John  is now an 'Army recruit being instructed by an Officer'; a pointless change-for-the-sake-of-change?  Further, when I have Old John tell his Grandson all about a 'could-have-been-fatal' incident – when he was being instructed by an N.C.O.  – the boy now asks, 'Did that really happen?'  And Old John admits that it almost did.    Why does the old man have to lie to the boy?

And so it goes on.  So many improbabilities are introduced; including the sudden attendance of Hitler, at a routine weekly meeting of the local Hitler Youth, where boxing training is the main activity for that particular evening. This is now described, at length, with a succession of impossible or utterly ludicrous happenings.  John – matched against a larger Hitler Youth – is getting the upper hand.  Jochen, the Hitler Youth Leader, signals urgently for the bell, to end the bout.  Then John, is asked. '… how he learned to box so well?'   he – a 16 year old English Public Schoolboy – replies 'that he learned from Erich.'  This despite the fact that the original makes clear that they had only known each other for a matter of days, and that they had NEVER boxed each other!  


Later that same evening John and Erich were engaged in a bloody 'international' three round contest. Quote 'The two of them trade blow for blow, harder and more seriously than they ever have. Erich gets past John's defences and starts to pummel him. An OFFICIAL reaches for the bell, but Jochen stops him.  Finally John shoves Erich off and punches back again, gaining his second wind.  The two friends fly at each other, while Jochen stands torn about whether or not to signal for the bell.  Finally they both fall to the mat.  And the REFEREE  begins to count off in German.   …...
John starts to climb to his feet, a bit faster than Erich ….   Hitler stands up shouting and gesticulating ....  John looks over at Erich, still struggling desperately to climb back up, and willingly falls back to the mat.  Erich manages to pull himself upright, and the referee immediately proclaims him the winner.

 I find it nice to know, that at least one American recognises, that we English, always behave as
a thoroughly decent chap, ought to do!  

Contrast John's 'noble' behaviour, with this utterly unbelievable, gratuitous, Horror Comic addition.
       Later that night, John is woken up, by his first opponent and five others, who are threatening to burn his face, with a hot Swastika branding-iron! They are only dissuaded from doing this, by the intervention of Erich.     

I can imagine how my American friends would comment after reading my original, and then the 'Hollywood Treatment' produced by the Professional Film Scriptwriter.  It would be something along the lines of  'Cut out all that God'dam Crap!'

Having written to Authorhouse, pretty much as above, only rather more forcefully, I did receive a 'Final and Revised' Treatment, in which some of the wilder excesses were removed, though Hitler was still involved, to a totally improbable degree.

Philip Baker

Thursday

New Short Story Competition

Writing East Midlands has teamed up with Lincolnshire Echo to offer you the chance to have your work published in the weekly paper.

Every fortnight the Lincolnshire Echo will publish a short story chosen by Writing East Midlands, and next year a cash prize of £300 will be awarded to the author of the best piece, to be presented at the East Midlands' Book Award in 2013.
With a readership of 60-100,000, this is a fantastic opportunity to promote your work to a wide audience.
 
COMPETITION RULES
  • Each month the Lincolnshire Echo will publish two new short stories (one every other week) by writers currently living in the East Midlands – Lincolnshire, Nottinghamshire, Derbyshire, Rutland, Leicestershire and Northamptonshire.

  • A qualifying address and postcode must be supplied with each submission.
  • Submissions for consideration each month should be received by the 25th of the preceding month.Thus, entries for publication in December 2011 must be received
    by November 25, 2011.
  • Submissions that are considered by WEM to be particularly strong may be ‘rolled over’ for future consideration, with the agreement of the author.
  • Submissions must be a maximum of 2,500 words. Submissions of greater length will be automatically discounted.
  • Submissions must not have been previously published in print.
  • The author will also consent to their stories being published on Writing East Midlands’ website at their discretion, and in any other Northcliffe Group Newspaper.
  • In November 2012 an overall best story will be chosen and awarded the 2012 Lincolnshire Echo Short Story prize at the East Midlands Book Awards in 2013.
  • A cash prize of £300 will be given to the winning author.
TIPS FOR WRITING YOUR STORY

Why should you take part?

Have a go! They say that everyone has a story in them and having your story published is an incredibly empowering experience – and you might find a passion for something you never realised. Writing East Midlands is keen to make contact with writers so this will also be the perfect opportunity for us to spot new talent and it’s a chance for people to have a bit of fun with something that they might have been thinking of doing for years.
 
What makes a good short story?
  • Something that is entertaining and lingers after it has been read.
  • Something that takes us somewhere else for a while.
  • Something that says something interesting about a problem or situation.
  • Mostly, a good story contains characters that make us like, dislike or laugh at
    them.

What should you write about?

Write about anything you want. Stories can be set in any time, in any place and about anything. They can be about your family, your home, something that has
happened, or something that never will. A good tip is to write about something that you actually care about.

How should you write your piece?

The traditional short story format is:
  • Information and Context – Who is the story about and where are the events taking place?
  • Theme – What is the problem, tension or conflict affecting the characters and why is it important?
  • Action and resolution – What happens – there’s often a turning point or surprising event enabling the problem to be resolved and bringing the story to a close.
  • However,short stories are a great form to experiment with writing and the key thing is to engage and entertain or just make people think. Some great short stories
    seem to be no more than just an observation about life.
Good luck

Tuesday

A Nottingham Lad by Pete Davis

A Nottingham Lad is a new play from the writer and storyteller Pete Davis.

Pete Davis tells of his hilarious life and times growing up on the Bestwood estate in the 1950s. The show takes us from the Co-Op to the wonders of Rediffusion TV, and from Bestwood to Skeggy on a proper Steam train to enjoy a seaside holiday.

December the 3rd, at St Leonards Community Centre, Wollaton, NG8 2ND.

Tickets cost £6.00 on the door or call 0115 9558054.
Start time 7.30pm.


The founder of Storytellers of Nottingham, and regular guest speaker at NWUK events, Pete is one of Nottingham’s greatest storytellers.