Thursday

BIG Beeston Book Read


THE BIG BEESTON BOOK READ

 Calling all bookworms!

If you enjoy reading, and use Beeston Library, you now have the opportunity to read some books you might not normally be familiar with, and at the same time help to choose the New Writers UK ‘Book of the Year’, in its 2013 competition ‘The Big Beeston Book Read’ to be held over the next three months.


Members of New Writers UK – an organisation supporting small, independent and self-published authors – will this year be holding its annual Book of the Year Competition in this area. The winner normally arranges the following year’s. The 2012 competition – ‘The Great Kimberley Book Read’ – was won by Chilwell author Alan Dance with his historical novel ‘Leen Times’ and as a local resident he has chosen Beeston to host this year’s competition. 
 
 
Eight books, all published by members during the past year, have been entered, and readers are invited to borrow any of these from Beeston Library and give them a score. Each of the authors has donated four copies of their books to the Nottinghamshire County Library Service, which will then remain as part of their stock for future readers to enjoy.
 
 
The competition will run from Saturday 20th July to Saturday 27th October, so there is plenty of time to read all eight books, should you wish. The winner will then be assessed according to the scores awarded by readers, and the presentation of the award will take place in November at Beeston Library.
 
 
The competition is to be launched by the Mayor of Broxtowe, Councillor Iris White, on Saturday morning 20th July at Beeston Library at 11.00 and is open to all members of the public. Three short, 15 minute talks, will then be given by members of New Writers UK on different aspects of writing, two by previous winners. Gloria Morgan (2011 winner) will talk on ideas and inspiration – ‘What William the Conqueror did for me’; Alan Dance will speak about ‘Local history in historical fiction’, and Tom Bryson on writing scenes –­ ‘A knock in the middle of the night’.
 
 

The winner will be announced in November with BBC Radio Nottingham’s John Holmes presenting the prize.


More details of New Writers UK and The Big Beeston Book Read can be found HERE

 

Join us for the launch on July 20th at 11am

At Beeston Library

11am – Launch: Mayor of Broxtowe, Councillor Iris White
11.10am – Talk, from author A R Dance:  Local history in historical fiction.
11.25am – Talk, from author Gloria Morgan, on ideas and inspiration:  What William the Conqueror did for me.
11.45am – Talk, from author Tom Bryson, on writing scenes: A knock on the door in the middle of the night.
 

Monday

Gedling Book Festival - History Day


Part of the Gedling Book Festival. Click HERE for details.

Thursday

Gedling Book Festival - Crime Day

Part of the Gedling Book Festival. Click HERE for details.

Wednesday

Gedling Book Festival - Children's Day

Part of the Gedling Book Festival. Click HERE for details.

Tuesday

New member seeks opinions on WIP

NWUK member Horace Evans invites you to sample his novel Company of Fools. It's in the pre-publishing stage so any comments are most welcome. If possible, have a read of the short synopsis and opening chapter (below).
Please consider emailing your thoughts to Horace at hozza309@gmail.com

 
Company of Fools

Justin Whalley, a nice enough fellow, no delusions of grandeur here, all he wants in life is the norm. The wife, the kids and a half decent job he enjoys doing. Simple. Not quite.

Justin begins with fervour and determination; the absolute belief that what he longs for is there for the taking. Just out of reach but so tantalizingly close.

Aided and abetted, though hindered and hamstrung by his close friends and work colleagues Justin begins to despair that perhaps this wasn’t as easy as he planned it to be.

When the girl of his dreams turns into the depths of his worst nightmare Justin’s dwindling hope hits rock bottom.

With his private-life teetering on the edge of chaos, his performance at work suffers adding pressure beyond his imagination.

Riotously funny, heartbreakingly honest, through a roller coaster ride of human emotion, tragedy, embarrassment, laughter and despair. Join with Justin in the search for eternal bliss, or what he can get: a true testament to the indomitable human spirit.
 

Prologue

I was a boy born into an already-large family. I had two sisters and two brothers. All my parents’ offspring – bar one – were older than I. That made no odds to me. I believed I was a bright, intelligent, adept man.

There was Jennifer, Oliver, Mark, Emily and me.

I knew deep down that I was not absolutely gorgeous to look at, but easy enough on any female’s wandering eye. That’s what I always liked to believe. As I developed, so did my personality and my emotional state.

As a child I would cry very easily at things, such as being smacked by my mother. The threat of punishment also brought the same results, though: an embarrassing time in front of my older siblings.

I felt as though I couldn’t control my emotions. Worse still, I thought I would never be able to. That was far more frightening. Eventually, I did learn to master them. In fact, I seemed to go the other way, showing no emotions whatsoever. I obviously over compensated.

Yet I look at my family, who are close but in a distant, unspoken way. Very few hugs. No saying, ‘I love you’ or ‘You be careful!’ Intrinsically, though, that language of love was always quietly spoken. I always knew it was there. Just because something wasn’t said didn’t mean no one was thinking it.

I must make it clear that I do love my family, unequivocally. No doubts. I understand that everyone handles – and displays – emotions differently.

Oliver and Mark work in so-called brilliant jobs. Both still live at home. Jennifer, the eldest, has a different father. She works as a lawyer or a barrister, I think. Then Emily followed, born just a year after me, and does some kind of office work.

I was never too sure what Jennifer did work-wise, as she was so many years older than I. The barrister thing was probably just a dream.

From what I can remember, she is very attractive. Maybe her beauty came from her father’s genes. I never asked my mum about her father or about what happened. She always displayed a wounded expression when I – or one of my brothers – asked about him.

Our house was always overcrowded, although I do remember my time there with some glee and humour. I recall Mark’s first kiss on the doorstep with Vanessa Trindel. As we watched from the bedroom window, he burped in her face just before that most crucial moment: when their lips touched. He heard us laughing. I’m afraid my laugh can be raucous and easily identified. He never forgave us; he certainly never forgave me. Maybe that’s why he’s still living at home with daddy.

I looked at my two older brothers – Oliver (thirty-five) and Mark (thirty-two) – and I was determined not to end up like them. Content with very little, with no freedom, and no place to call their own. Then again, there were reasons for that.

Well, I found my liberty to a certain degree and escaped the loving home life: the sanctity and safety my dear mother provided.

I began to wear glasses when I turned eighteen. I had reached six feet one inch in height. I took care of my jet-black hair, washing it regularly and styling it with the gels and sprays recommended by hairdressers. I wore aftershave and dressed in suits, something I’d always liked doing.

My school friends would think I originated from a wealthy family, simply because I was always turned out crisply. I looked the part, whatever the occasion. The real truth was that we had very little, but my mother’s maternal pride kept all of us looking better off than we really were.

This simple trait paid dividends for me. My attitude and outward appearance reflected how I looked and came across to the outside world: calm, loyal, enthusiastic. That’s me, Justin Whalley.

 I may appear to be a confident and slick operator, but my heart thumps so hard, at times I think I’m going to fall over. My hand shakes so much that anyone who sees might think I’m a gibbering wreck. Thankfully, my abilities to display a steely persona are legendary. Otherwise, there would be a lot of explaining to do.

I’d done well, or so I thought, to get the job I now do (at twenty-eight years old). I’ve been there just over a year and I really do like it. However, some of the procedures and processes are nothing short of idiotic. But then, who am I? A young twenty-something upstart from a dodgy area of the city. They certainly wouldn’t give a shit what I think.

Anyway, there are three major tangibles I want from life. I don’t think it’s asking much.

1.         A wife (or at least a long-term girlfriend to start with).

2.         Children (the idea of the patter of tiny Justins makes me go all giddy inside).

3.         A good job (one out of three wouldn’t be bad).


This is the beginning of the story of my attempts to obtain – and keep – what I craved. These were life-changing events! I know life is a learning process but, for friggin’ hell’s sake, I didn’t think it would be this difficult.

 

  THE SALES CONFERENCE’

                                                 1.


I had finished my presentation to a buoyant, ebullient audience. Three hundred pairs of eyes bore into my frail medium-sized frame.

A drip of perspiration ran from high on my forehead into the crevice created for my eyes, and under my thin-rimmed designer spectacles. That well-used swan analogy – serene on the surface but paddling like mad beneath it – floated in and out of my mind. This increased as the audience erupted into riotous applause.

I stepped two paces back from the lectern and smiled at the applauding audience.

‘Thank you, thank you!’ I called out over the noise.

Even though the mic pinned to my lapel was switched on, I doubt if anyone heard me. They were enjoying this. Admittedly, so was I.

A rush of adrenalin overcame my nerves as I lapped up the praise. Was I really that good? Damn, I must have been. That’s what I kept telling myself until I could get down off the stage, which I desperately wanted to do.

I beckoned to the chairperson to step forward to introduce the next speaker, one of the three senior executives seated behind me on stage. I was glad I didn’t have to follow me.

Audiences of marketeers were either boisterous (but still listening) or as quiet as a mouse whispering in a library (fast asleep and paying no attention whatsoever).

Relief flooded my whole body as I finally negotiated the five steps down off the stage. I’d felt a little like a pop star up there. Each step was taken with extra care, as the cameramen videoed my every movement. This would be played back in each of the twenty offices around the world at a later date.

I reached the floor without a hitch, and strode confidently down the left-hand side of the enormous Lincoln Suite that was only a quarter filled with Eiron (pronounced ‘eye-ron’) Plc sales executives. The host made some witty remark about the applause I had just received, but I wasn’t listening. I didn’t care either way.

Intricately decorated chandeliers hung ostensibly from the high ceilings of this vast auditorium. Thick, plush carpet covered most of the floor. The rest was wood panelled. The air conditioning droned in an attempt to keep everyone cool and awake. It was no different to any other hotel business function room that I had been to.

The host, however, was an absolute arsehole. It’s not like me to bitch, but he was. A one hundred percent tosser. I didn’t know someone could be as he was. Unfortunately, he was the UK Managing and Sales Director, so we had to answer to him. Not everyone did, but that’s another story.

He stood proud and haughty as he looked out across the audience, and soaked up the remainder of my adulation. His curtain hairstyle (like something from the eighties) swayed forward and back as he nodded to accept the applause. Walter Baker – six feet five, with a stern straight face and piercing ice-blue eyes – smiled smugly, as was his trademark.

I fixed my eyes on a few guys from my team. There were all sitting towards the back of the hall. My immediate manager, Errol Hughes, was a clever, shrewd black guy, with a style that reminded me of Huggy Bear, a character in an eighties cop show. The only differences between them were the hair – Errol had hardly any – and of course the clothes.

 He was getting out of his seat, signalling to me with his right hand. I thought he was going to congratulate me. I certainly hoped so. As he struggled to get by the legs of the other execs, I saluted Tom and Shaun, who smiled back and bowed their heads, mouthing, ‘We are not worthy’. I got the joke.

Errol finally stepped over his underlings and reached out his right hand. I stood beaming from ear to ear, and grasped his hand firmly.

‘So you did it, you old bastard. Well done, my man. How’s your underwear?’ Errol asked me confidently, with an assured toothy grin.

We spoke quietly, and continued walking towards the exit. The knob-head on the stage built up the next speaker.

By now, Errol had his left arm around my shoulder. He knew I was nervous; that’s why he’d asked me about my underwear.

‘You know me too well. Where’d you think I’m heading now? The loo! I’m gonna have to go. You know the score.’

‘Hey, you can talk to me!’ Errol laughed quietly as we pushed open the heavy oak double doors that led to the corridor.

‘Don’t worry, Justin. I’ll be right by your side.’

I gave Errol a strange look, which he ignored. He continued to smile.

I had known Errol a long time but he had never wanted to go to the toilet with me before. I was obviously being paranoid.

When we reached the toilets, Errol told me why he wanted to come in too. I was glad he did.

Inside, there were four urinals. One exec I’d seen around from our London office stood at an angle, with his tiny bit firing out his liquid substance. Errol and I gave him a quick once over. He finished and moved towards the basins to wash his hands. When he’d gone, Errol began telling me what had grabbed his interest.

We stood with one urinal in between us. It was a man thing. It’s so awkward when a third man enters and has to decide which urinal to use. You keep looking straight ahead, never turning left or right. Every man should be allowed his privacy.

Errol began.

‘Yeah, Just, I overhead the big man on stage tell the European MD to look out for you.’ Nearly everyone shortened my name to Just – when I allowed them to.

‘What do you mean?’ I asked, as I my urine was making its way out of my cylindrical orifice.

‘Don’t worry! It’s all good. Good for you, I mean.’ I broke the rule and glanced to my right, but kept my head erect and maintained level eye contact with Errol. I had a ‘tell me some more’ look on my face.

‘Walter actually singled you out, you know, for greatness and shit.’ Errol chuckled in a deep throaty way as he said the words. I couldn’t believe it either.

‘So I could be moving up in the world,’ I said as I turned back to face the sterile white-tiled wall.

‘Uh huh.’ Errol finished and zipped himself up.

‘You know, I was never quite sure whether Walter liked me. He’s one of those people you can’t really judge. He doesn’t give much away.’ I tried to explain something, but the words that came out sounded as though they were coming from someone else.

I finished, and nervously looked down at my light-grey trousers, hoping there were no splash marks. This time I was lucky.

I was washing my hands when in walked Len Ferris. Forty-something, and a jackass in my book. He lived in the past, and thought he’d done it all, always saying too much and at the wrong time. This opportunity was no different.

Len stood at the second urinal. Errol and I had nearly finished drying our hands when he spoke.

‘Alright lads. Great conference again, eh? Usual bullshit speeches and pats on our back, while that slimy Walter bastard does fuck all and gets nearly half a mil a year.’

I had to step in, even though Errol took hold of my arm to stop me.

‘Look, Len, these conferences are a third business, a third geeing up the troops and a third piss-up. It’s never been any different. You of all people should know that.’ I told him straight. No messin’ around. I think Errol was mildly impressed.

But Len wasn’t.

‘What the hell do you know? You’re a young whippersnapper, still wet behind the ears no doubt.’ I raised my eyebrows and noticed that Errol was about to make a move. This time I stopped him. I let Len continue.

‘This company has its arse in its hand. Doesn’t have a fucking clue what it’s doing. I’m telling you now, I’ll be the first to speak up when it comes to issues and Q & A.’

We both nodded. Len let out a string of consecutive farts, saying that’s what he thought of Walter Baker!

I had to warn Len about something before he went shouting his mouth off, potentially making every salesperson’s life a misery. And making his wife’s life a misery; she was in the audience.

‘Len,’ I said in a calm voice (the kind that psychiatrists use). ‘Look before you dish any shit, and make sure no one else does the same to you.’

Len looked at me as innocently as a newborn baby.

‘What? me? Dirty?! I’m the cleanest motherf—’

I didn’t let him finish.

By now, Errol and I were leaning against the basins. My arms were folded. Errol had his hands in his trouser pockets, and was shaking his head at Len.

‘What about Barbara in sales admin? The sales conference in Paris. It was the only time they were allowed to come along because we’d had a fantastic year. My first, as I recall.’ I paused. Len interjected.

‘So? And?’

‘So you shagged her silly. Her words, not mine. Said you were like a tiger starved of food for weeks. You couldn’t get enough. You cut her on her left breast, you were biting that hard. Should I gone on?’

Len was actually quiet for a whole minute. Errol looked at me. I returned his gaze. Len looked at the floor, rubbing his chin with his free right hand.

‘How in the name of god do you know about it?’

‘Whoa! So you admit it happened? No denial? That will help you with Sarah. She’ll probably forgive you for shagging her best friend.’

I had a smile on my face but I didn’t know why. Errol said we’d better get back or people would talk about us being in the gents for so long together. I think it was more to do with getting out of the room Len was in. As we headed for the door, I turned to Len.

‘Remember, Len, no company is perfect. Neither are any of us. Think about who else might know what I’ve just told you. They may try and use it against you. You can trust me that I won’t. Let’s hope no one heard us.’

‘Look, son, thanks. It was one of those irresistible urges that we men get. You know the score. She virtually laid it on a plate and, boy oh boy, I lapped it up. It was the best screw I’ve ever had. I can’t complain.’

Len had this ability to be supremely crass or crude at any opportunity. He did it effortlessly. Almost as though it were a gift. It seemed to be his way, his version of the spoken word.

Errol was now outside the gents.

I’d had enough of listening to Len trying to justify his one moment of passion. I knew that he was lying. He’d been having an affair with Barbara before I started at Eiron. His poor wife did not have a clue.

‘Let’s hope Sarah doesn’t hear you say that.’

Len laughed as I let the door close behind me.

As Errol and I headed back towards the hall, a strange eerie feeling came over me. We couldn’t hear anyone speaking in the hall. It was far too quiet as we approached. There were four huge sets of double doors. We were heading to the fourth, intending to enter at the back, where we’d exited.

Standing outside the second huge set of doors was Len’s wife, Sarah. She looked as if she could kill someone with her bare hands.

She was to all intents and purposes a calm woman. But I heard that if she was provoked, she could be a nightmare, worse that anyone could dream up. Right then and there, I was glad that I was not in Len’s size six shoes.

Yet I wondered why she was upset. There was no way she could have heard us. Then I saw the way Errol was looking at my jacket and shaking his head.

I watched Errol’s lips move. They mouthed, ‘Oh shit!’ I raised my arms as if to say, ‘What’s up?’

There on my left lapel was the mic. It was still switched on. We both knew that they – the whole sales force for Europe, the Middle East and Africa (aka EMEA) – were waiting for us to enter. I had no idea what kind of reaction we would get.

Thankfully, Errol was brave. He volunteered to go in first.

Using hand gestures, he told me to turn off the mic. He then mouthed ‘One … two … three’ and pushed open the door. I followed him about five seconds later. The reaction was something I’ll never forget.


Games Expo

NWUK at UK Games Expo, Birmingham

Ah, so this is what a book looks like.
Hello sailor.
Jack Sparrow at your service.
More books, where are the games?
Someone say games?
The doctor, with who?
Jawa'na book?
Collecting for a stairlift.

So many questions.


Creative Writing Comp

Call for Entries: The Aesthetica Creative Writing Competition
The Aesthetica Creative Writing Competition 2013 are now open for entries, and I thought that you might be interested in submitting some work!
We are looking for imaginative pieces of writing that push the boundaries of two categories: Poetry and Fiction. The Creative Writing Competition, now in its sixth year, offers both existing and aspiring writers the chance to showcase their work to a wider international audience. Submissions previously published elsewhere are accepted.
Entry is £10 and the deadline for submissions is 31 August.
The Winner of each category will receive £500 prize money, publication in the Aesthetica Creative Writing Annual, a complimentary copy of the Annual and a selection of books from competition partners.
Visit www.aestheticamagazine.com/creativewriting for more information and register your entry today!
Submission Guidelines:
  • Fiction entries should be no more than 2,000 words each
  • Poetry entries should be no more than 40 lines each
  • Both Fiction and Poetry entries should be written in English
It's not a NWUK competition but you might be interested.

Off to the Palace

New Writers UK author Susan Beecroft is having a wonderful time with her children’s book Teddy goes to Buckingham Palace. The book - launched at our 2012 festival and featuring illustrations by fellow NWUK member Howard Barton – attracted the interest of St. James's Palace and they’ve placed an order. The Royal Collection Enterprise are going to sell copies in the Buckingham Palace shop!


Susan is now working on a story that she’s been commissioned to write for the Freemasons, in aid of their 'Teddies for loving care ' appeal.

On Saturday June 8 between 11am and 3pm, Susan is signing copies of Teddy goes to Buckingham Palace at Waterstone’s Nottingham. Come along.

Thursday

Writers' Comp

Winchester Writers’ Competitions are now open! 

 

The competitions include Writing for Children, the Short Story, the Shorter Short Story, Poetry, Haiku, Feature Articles, Slim Volume, Small Edition, Crime Fiction, Lifewriting, Retirement, The First Three Pages of the Novel, Sustainability of the Environment and the Young Writers Poetry Competition. Something for Everyone! The entries must be original and unpublished work, written by one author, submitted using a pseudonym and must not have won an award in any previous competition. Self-published work is acceptable. Copyright remains with the author. The deadline is 24 May, 2013 for all competitions, except the Young Writers’ Poetry Competition, which has a deadline of 19 July. Sixty-three prizes and five trophies will be awarded at the Writers’ Awards Ceremony on June 22nd, during the 33rd Winchester Writers’ Conference. In addition, the winner of each competition will be published in the Winchester Writers’ Conference anthology,The Best of 2013, published in the autumn. For the competition booklet, please follow this link:http://www.writersconference.co.uk/or 

To view both the full competition booklet, please follow this link:http://www.writersconference.co.uk/

Wednesday

Voice Your Words

Would you like to recite a poem? Fancy reading an extract from your WIP? Wish to tell a short story? Or want to narrate a favourite chapter?

We provide the microphone and audience, you provide the words!

THIS Sunday’s (April 7) NOT The Hay Book Festival is featuring an ‘open mic’ stage as part of the day’s literary activities. A seated food court area will host the audience for anyone brave enough to attempt to entertain them (Not just NWUK members).

Providing your words are not offensive, and you bear in mind that children may be present, the stage is yours. It could be your own work or a favourite piece but should be no longer than 5 minutes in duration.

If you’d like to take part simply pull up at the old Bartons bus depot in Chilwell between 10.45am and 2.30pm and ask for John Baird or Richard Barton. If you’d like to book a time for your reading please email John before the 7th john@newwritersuk.co.uk

The book festival will feature a series of free to attend talks:

Stephen Booth, the best-selling crime writer will be speaking at 1.40pm. His talk will be on ‘A Sense of Place’ and his use of locations.

Earlier in the day, at 11.20am, the award-winning adult and children’s author Gloria Morgan will be looking at the role of character in fiction with a talk titled, ‘Who Are These People?’

At 12 o’clock, adult fiction author Philip Baker will be discussing where his ideas come from.

Local history makes up the other two talks:

Alan Oxley will speak of Gasbags and Gliders at 12.40pm as he covers the History of Barton Transport from 1908 to 1989.

Maureen Rushton will tell the story of the women that worked at the Chilwell Shell Filling Factory during the First World War in her talk ‘The Canary Girls of Chilwell’: Rushton is the author of a book of the same name.

Plenty of parking is available at a venue that oozes character and history, so if you’re a fan of the written word, or just want a great day out, get along to Chilwell’s High Road between 10am and 4pm. The event is part of the NOT the Camden Market – around 50 stalls of local crafts and produce.

The Assassin's Mark - Out Today!

The Assassin's Mark hits the streets!

David Ebsworth wrote the first draft during 2011, then went to Northern Spain to visit the locations and make factual corrections, before doing all the re-writes during 2012. The story was originally 190,000 words but was trimmed down to its fighting weight at a mere 150,000.

David: "The latter stages have been a team effort, of course, thanks to the platinum-plated insights of my editor, Jo Field; the artistic brilliance of graphic designer, Cathy Helms; and the professional efficiency of Helen Hart, Sarah Newman and Joanna Zefron at SilverWood Books. Mostly though to Ann's unfailing and dogged commitment to studying every draft and amendment in her role as "ideal reader"."

For anybody who's not seen it yet, here's the link to the Book's Theatrical Trailer on YouTube...

Launching The Assassin's Mark

September 1938. Spain's Civil War has been raging for two years, the outcome still in the balance. But rebel General Franco is so confident of winning that he has opened up battlefield tourism along the country's north coast. Jack Telford, a left-wing reporter, finds himself with an eccentric group of tourists on one of the War Route's yellow Chrysler buses. Driven by his passion for peace, Telford attempts to uncover the hidden truths beneath the conflict. But Jack must contend first with his own gullibility, the tragic death of a fellow passenger, capture by Republican guerrilleros, a final showdown at Spain's most holy shrine and the possibility that he has been badly betrayed. Betrayed and in serious danger.


BUY HERE

Tuesday

Pam Littlewood - Talk

Nottingham Central Library on Thursday 21st March at 2.30pm.

Pam Littlewood, author of Nottinghamshire based novels "Workhouse Prophecy" and "If Wishes Were Horses" will be speaking about her local history research and the way in which she uses this research as inspiration for her historical novels.

 The event will take place on floor 1, tickets cost £2 and are available from the ground floor helpdesk (telephone 0115 9152825).

For further details please emaillocal_studies.library@nottinghamcity.gov.uk, or telephone 0115 9152873

Sunday

Over 55 and live in Notts?

Short Story Competition for Nottinghamshire Residents Aged 55 and over

We are delighted to announce that the best-selling crime writer Stephen Booth will join the Mayor of Gedling in presenting the awards and anthologies to the finalists on Sunday 14th of July at the 2013 Gedling Book Festival.

Not long left to enter your stories (2,000-5,000 words). Closing date for entries: Sat March 30th, 2013

A paperback anthology of the best 20 entries will be published with the finalists each receiving a free copy of the book.

Cover Design by Cathy Helms at www.avalongraphics.org
Finalists will be notified in the first week of June, 2013.
1st Prize:
£50 cash

Other prizes to be announced in due course.

You can download an Application Form and the Full Rules via THIS LINK

Entries should be emailed in Word format to julie@newwritersuk.co.uk.
However, should that not be possible, they can accept typed or written entries, which should be posted to:

New Writers UK,
PO Box 9310,
Nottingham,
NG5 0DZ

Tuesday

Waiting Game


Launching on 1st March 2013

The awesome new sequel to the People's Book Prize Shortlisted "Dead Game".


Living in despair after the tragic death of her cousin Archie, Sarah Walker finally succumbs and embarks on her long-awaited trip around the world. Landing herself in a dingy Thai soi, she runs into a forgotten rogue from her past. Terrified, Sarah flees and in doing so, finds herself in a ghostly world with warped satyrs, dual-headed snakes, and a wicked witch who plots to enslave her; trying to piece together the jigsaw of her past in time; the true meaning of friendship is at stake. Waiting Game is a dangerous journey but it is a fragile heart that travels it. Compelled to move on whether she wants to or not, Sarah’s scars run deep, but just how far will she go in an attempt to find Archie?

Pre-order here 


Competition - Catherine Cooper

Visit http://www.pengridion.co.uk/

To enter the worldwide competition, visit the collection on Amazon Kindle